Monthly Archives: June 2008

Food crisis coverup?

The commissar disapears

Here’s a case of state-sponsored photo manipulation that matches the boldness of Stalin’s celluloid liberties (like the disappearing commissar above).

Spot anything odd in this photo? It was attached to this news story.

Specifically that part. The part with the three layers of identical looking corn flakes.

The cereal’s been clone-stamped to make it look like a veritable cornucopia (Cornucopia. Heh). What’s the reality here? Is the media covering up a foodstuff shortage in NZ? Can we know that Hubbard is really smiling in the original? Maybe he’s casting his hands out in despair over the last cup of flakes left in the warehouse. Should I be hoarding Weet-bix and rolled oats?

Seriously, news photographers, clone-stamping does not improve the composition of your photos. It’s just ugly. It’s also like chartjunk in that it’s unnecessary, and though a very light shade of gray on the lie-spectrum, does say something about how you regard your audience. You’d think the bevy of stories about photographers being fired for taking similar compositional liberties would scare anyone in a newsroom a mile away from doing it.

The chart-junk of Steve Jobs

On June 9th Apple CEO Steve Jobs will take to the stage in San Francisco to give the keynote address at his company’s 2008 WWDC. Rumours are strong that he’ll be unveiling the second generation (or at least 3G capable) iPhone. He usually does about two big keynotes a year, and they’re almost always worth watching. Undeniably the best showman in the technology industry, he packs his own reality distortion field, a charismatic glow that can convince you of the urgent need to buy Apple’s latest product if you are to live a fulfilled iLife™. The older keynotes for significant product launches like the Macintosh launch, the unveiling of OS X, and the iPhone launch are particularly good examples[1]  worth watching to see how he brings the audience into the palm of his hand. He brings them up to speed with what the company’s been doing. He then starts naturally turning the topic into a story of a missing product in the market. He’ll talk about competitors’ products (if they have any) in that space, and talk about their short-comings, shaping the descriptions so that it becomes increasingly obvious what the perfect example of that product should look like. And then he unveils it, pulling it out of his pocket, pulling a sheet off it, or pulling it out of a manilla envelope. He’s spell-binding, and it’s only obvious what a talent he has when you see other CEOs try to emulate it and fail decidedly (warning: video autoplays).

One of the props he often relies on are graphical charts to show things like how marketshare of an product has been doing, or how a new one compares with competition for performance. Data presentation guru Edward Tufte has an expression for Job’s style: chart-junk. One of the themes Tufte keeps coming back to in his book Visual Explanations (which I’m reading and really quite enjoying at the moment) is that the magician is worth studying, as an example of a performer who acts out a lie. Learn from what he does, says Tufte, and then seek to do the opposite when presenting information. So it’s appropriate when you consider Job’s style how often he’s described as a magician. And the elements of a Stevenote are in some ways closer to a magic show than they are an honest data presentation. It’s sadly to be expected from what is in essence a marketing pitch. I’m always slightly annoyed when good marketing crosses the line into subtle dishonesty, and Jobs really shouldn’t have to engage in it. His products usually advertise on their own merits well enough.

On Tufte’s forum I saw a comment in a discussion on the sins of pie graphs pointing out this photo.

It’s actually horribly blatant. The Apple segment gets the closer perspective, and somehow 19.5% ends up with a bigger surface area than 21.2%.

Wondering if he did this often, I delved off into the Engadget archives of their coverage of other Stevenotes. And found plenty of chart-junk. For each of these, spot the bias introduced by the 3D perspective, and how it always seems to fall in Apple’s favour when there’s a direct comparison to be made.

Above: It’s a performance comparison, so smaller numbers mean the faster software. Safari is Apple’s browser.

These two above aren’t so bad. But the parallax bias is there, and it is in Apple’s favour. Apple’s numbers fall the left of the vertical vanishing line, so get foreshortened.

He’s normally so good about have some numbers on a chart. In their absence, and the presence of a 3D perspective, it’s impossible to regard this chart as anything useful.

Tiger is the latest version of OS X in this case. Panther’s the previous one, and older is everything before that.

In a 2D graph you’ve got two opportunities to skew the data. Growth is good, so if you want to make the numbers at the right hand side of the graph look better, bring that end closer. But additionally in the vertical axis, we see the same parallax bias as the web browser performance comparison charts from above, so that the “Industry” figures get skewed to look even lower than the Mac’s.

This one’s angled and segmented slightly so that the Leopard (the latest version of OS X) area gets magnified, but there’s not much you can do about numbers that different.

This is the blurry successor to the first one. Apple’s the green segment. Again the upward perspective that the Apple segment benefits the most from.

Again, two perspective skews here for bias, and a style bias. The first is the obvious make-the-right-hand-side-closer angle to magnify the latest figures. Which is interesting, since the vertical bias (the vanishing point is in line with the top of the graph) is shrinking those numbers compared to the older ones. Which would appear to be counter-productive, until you read the title and realise that this is a cumulative sales graph. Which is an interesting choice in itself, since cumulative graphs are often hard to get meaningful data out of. They don’t go down after all. Which is why they chose this form for this slide. Growth is slowing. It’s inevitable with a product like the iPod, but there’s ways to soften the news. Combined with the choice of a cumulative graph, the vertical perspective now makes sense. The vertical perspective has the effect of playing down the early growth and maximising the latest, bringing the graph slightly closer to looking linear, than an S-shaped graph that’s beginning to hit the final plateau.

So come June 9 we’ll once again be invited to be spell-bound by Cupertino’s wizard, and expect more chart-junk. It’s fun to be sold a story like this, provided you’re aware that you are being sold one. It’s not a scientific presentation. Jobs is known for prizing aesthetic form, and in a way 3D charts look nicer than 2D. But I would question whether it’s honest to take this consistently a biased approach in presenting your data. And as Tufte asks in Visual Explanations, “Why lie?”

[1] Worth watching for the contrast to these celebrations of Appledom is the infamous Macworld 1997 keynote where he announced the company’s partnership with Microsoft to a congregration (any religious implications from that word are fully intended) that doesn’t buy into his forced enthusiasm. It’s rare to hear actual booing during a “Steve-note”, and the scene was recreated in the 1999 TV movie Pirates of Silicon Valley.